writing by Libby Hanssen
In this issue of KC Studio, I wrote about the Kansas City Symphony's Masterpiece Campaign, the joint recital between Lawrence Brownlee and Eric Owen, Spire Chamber Ensemble's upcoming premiere of "But Who Shall Return Us Our Children?-A Kipling Passion" by John Muehleisen, and Bill Frisell's upcoming performance of "The Great Flood."
I reviewed Spire's "House of Tudors" for The Kansas City Star.
I reviewed the Kansas City Symphony's performance of Mahler's "Das Lied von der Erde" for The Kansas City Star.
I reviewed the Kansas City Symphony for The Kansas City Star.
I reviewed the Kansas City Ballet's "New Moves" for The Kansas City Star.
I reviewed the Kansas City Symphony, with guest conductor Jun Märkl and cellist Narek Hakhnazaryan, for The Kansas City Star. This was Hakhnazaryan's encore. Sublime. https://www.youtube.com/watch?v=bJkIsdDG2Rk
I reviewed Hespèrion XXi AND Jordi Savall, presented by Friends of Chamber Music, for The Kansas City Star.
I reviewed City in Motion's "A Modern Night at the Folly" for The Kansas City Star.
I reviewed the Kansas City Symphony, featuring principal flutist Michael Gordon, and Lyric Opera of Kansas City's "The Juliet Letters" for The Kansas City Star.
I reviewed Koresh Dance Company, presented by Johnson Count Community College's Performing Arts Series, for The Kansas City Star. For a brief time read the review here.
Proust Eats a Sandwich 