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"The Lyric Opera of Kansas City’s newest venture, which will undoubtedly please their loyal patron base, is “Opera in Eight Parts,” a sort of hybrid recital/tasting menu which introduces the major points of opera’s development from the 16th into the 21st century. As the pandemic and social isolation have dragged on, three things are apparent. We are... Continue Reading →

This review generated a bit of justifiable criticism of its own. A reader pointed out that  using the term "barihunk" was inappropriate, which in hindsight I agree with. My apologies, again, to Mr. Moore. I'm glad those readers took the time to read and respond to the review. The future of arts journalism is dependent... Continue Reading →